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<title>Dossier of V.M. Straka</title><link>http://eotvoswheel.com/index.html</link><description>Compiled by J. W. Dominguez</description><dc:language>en</dc:language><dc:date>2013-11-07T16:49:12-08:00</dc:date><admin:generatorAgent rdf:resource="http://www.realmacsoftware.com/" />
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<lastBuildDate>Tue, 12 Nov 2013 16:30:42 -0800</lastBuildDate><item><title>Santorini Man: The Straka Connection(s)</title><dc:subject>Home</dc:subject><dc:date>2013-11-07T16:49:12-08:00</dc:date><link>http://eotvoswheel.com/files/73f8307fa15a4668b34b4b6d8f70ba6e-5.html#unique-entry-id-5</link><guid isPermaLink="true">http://eotvoswheel.com/files/73f8307fa15a4668b34b4b6d8f70ba6e-5.html#unique-entry-id-5</guid><content:encoded><![CDATA[<span style="font:14px Georgia, serif; ">Since the book has been released, the interest level is obviously at an all-time high.  I&rsquo;ve received several emails and just want to urge you to be patient.  I&rsquo;ve been&hellip; it&rsquo;s been a tough few years.  It was time to get back into it a little.<br /><br />I started this post a few years ago and have finally gotten around to completing it.<br /><br />You don&rsquo;t hear very much about Santorini Man anymore, which is surprising because its one of the most interesting and perplexing unexplained mysteries of the 20th century in my humble opinion.<br /><br />On July 19, 1936, two swimmers reported a body that had washed up on Mesa Pigadia beach on the Greek island of Santorini. They reported their find to police, and the body was taken away in an official vehicle. According to interviews they later gave to an Athens newspaper, the dead man looked as if he had not been dead very long. He was of medium complexion, medium height, and medium weight, and had medium brown hair. He was wearing a gray suit, and also shoes. They looked in his pockets and found nothing except a page torn from a book, which they said was from a UK English edition of V. M. Straka&rsquo;s The Black Nineteen. Their story caused a worldwide sensation but Greek officials were not forthcoming with any information.<br /><br />In November 1936, a Swedish magazine published what it said was the report from Santorini Man&rsquo;s autopsy. The report contained a blurry photo of the man&rsquo;s face. Apparently the fingerprints were not taken, though it is doubtful they would&rsquo;ve resulted in an identification because none of the fingerprints taken from any of the bodies that appeared later ever have. There were two references to the page from the Straka book, but one said it was p. 109-110 and another said it was p. 9-10. There was no determination about cause of death, which everyone thought was strange because the swimmers said the body looked like it was in perfectly good shape so how could it be anything other than drowning? No one has ever identified the man by his face, although hundreds of tips came in to the magazine and to a Santorini Man Society that had started up in London. <br /><br /></span><p style="text-align:center;"><a href="http://eotvoswheel.com/resources/Santorini.jpg" rel="external"><img class="imageStyle" alt="Santorini" src="http://eotvoswheel.com/files/santorini.jpg" width="565" height="378" /></a><span style="font:14px Georgia, serif; "><br /></span></p>]]></content:encoded></item><item><title>Bouchard Prize</title><category>Straka</category><dc:date>2009-06-05T15:04:48-07:00</dc:date><link>http://eotvoswheel.com/files/177166e74fb1dbf2c4c630e891f29858-3.html#unique-entry-id-3</link><guid isPermaLink="true">http://eotvoswheel.com/files/177166e74fb1dbf2c4c630e891f29858-3.html#unique-entry-id-3</guid><content:encoded><![CDATA[<span style="font:13px Georgia, serif; ">The </span><span style="font:13px Georgia, serif; font-weight:bold; font-weight:bold; ">Bouchard Prize </span><span style="font:13px Georgia, serif; ">(or </span><span style="font:13px Georgia, serif; "><em>Prix Bouchard</em></span><span style="font:13px Georgia, serif; ">) was an honor awarded annually from 1909 to 1912 by the Marie-H&eacute;l&egrave;ne Bouchard Society for European Literature for the </span><span style="font:13px Georgia, serif; ">year&rsquo;s best work of fiction by a European author. Winners received a cash prize of 50,000 French francs and were f&ecirc;ted throughout the following year at private events hosted by influential families throughout Europe. The Bouchard Society was funded by </span><span style="font:13px Georgia, serif; color:#0000FF;"><u><a href="http://en.wikipedia.org/wiki/Herm&egrave;s_Bouchard" rel="external">Herm&egrave;s Bouchard</a></u></span><span style="font:13px Georgia, serif; ">, owner of the armaments manufacturer Compagnie G&eacute;n&eacute;rale Bouchard</span><span style="font:13px Georgia, serif; ">.<br /><br />Herm&egrave;s Bouchard established the prize at the urging of his wife, Marie-H&eacute;l&egrave;ne, a voracious reader and noted book collector and who served as the chair of the judging committee. <br /><br />Winners of the prize were:<br />	1909: Latimer Tasse (France) for </span><span style="font:13px Georgia, serif; "><em>Il r&ecirc;ve en garance rose</em></span><span style="font:13px Georgia, serif; "><br />	1910: </span><span style="font:13px Georgia, serif; color:#0000FF;"><u><a href="sigrid/" rel="external" title="Sigrid Bang">Sigrid Bang</a></u></span><span style="font:13px Georgia, serif; "> (Norway) for </span><span style="font:13px Georgia, serif; "><em>Min Kval<br /></em></span><span style="font:13px Georgia, serif; ">	1911: Flavio Scagnelli (Italy) for </span><span style="font:13px Georgia, serif; "><em>La Mongolfiera d'oro<br /></em></span><span style="font:13px Georgia, serif; ">	1912: </span><span style="font:13px Georgia, serif; color:#0000FF;"><u><a href="straka/" rel="self" title="V. M. Straka">V. M. Straka</a></u></span><span style="font:13px Georgia, serif; "> (unknown) for </span><span style="font:13px Georgia, serif; "><em>Miracle at Braxenholm</em></span><span style="font:13px Georgia, serif; "> (declined)<br /><br />The 1912 award ceremony, held in </span><span style="font:13px Georgia, serif; color:#0000FF;"><u><a href="http://en.wikipedia.org/wiki/Chamonix" rel="self">Chamonix</a></u></span><span style="font:13px Georgia, serif; ">, was disrupted when a capuchin monkey appeared on the dais with a note pinned to its jacket. The note, written by the absent (and now infamous) Straka, stated that the Bouchard Prize and all other literature prizes were anathema to art, treating writers as if they were &ldquo;dancing monkeys.&rdquo; (In Straka&rsquo;s posthumous 1949 novel, </span><span style="font:13px Georgia, serif; color:#0000FF;"><em><u><a href="straka/" rel="self" title="V. M. Straka">Ship of Theseus</a></u></em></span><span style="font:13px Georgia, serif; ">, editor and translator F. X. Caldeira disputed this account, asserting that the note gave proof that Herm&egrave;s Bouchard had orchestrated and covered up a massacre of striking workers in the </span><span style="font:13px Georgia, serif; color:#0000FF;"><u><a href="page6/" rel="self" title="Calais Riot">Calais Riot</a></u></span><span style="font:13px Georgia, serif; "> in February 1912.)<br /><br /></span><img class="imageStyle" alt="MONKEY_COMP_8_Andrew" src="http://eotvoswheel.com/files/monkey_comp_8_andrew.jpeg" width="580" height="480" /><span style="font:13px Georgia, serif; "><br /></span><span style="font:13px Georgia, serif; "><br /></span><span style="font:13px Georgia, serif; ">According to accounts of the event, Marie-H&eacute;l&egrave;ne retrieved the note from the monkey and collapsed on the dais after reading it. It was reported that she had been weakened by a prolonged illness. </span><span style="font:13px Georgia, serif; ">It is unknown where the monkey came from, what happened to it afterward, and whether it danced on the stage while Mme. Bouchard was attended to.</span><span style="font:13px Georgia, serif; "><br /><br />Marie-H&eacute;l&egrave;ne Bouchard committed suicide in October 1912 by leaping from a rooftop in the 16</span><span style="font:9px Georgia, serif; ">th</span><span style="font:13px Georgia, serif; "> Arrondissement of </span><span style="font:13px Georgia, serif; color:#0000FF;"><u><a href="http://en.wikipedia.org/wiki/Paris" rel="external">Paris</a></u></span><span style="font:13px Georgia, serif; ">. Herm&egrave;s Bouchard was rarely seen in public thereafter, though Compagnie G&eacute;n&eacute;rale Bouchard continued to thrive</span><span style="font:13px Georgia, serif; ">, flourishing during World War I by supplying the French and German governments at the same time</span><span style="font:13px Georgia, serif; ">.<br /><br />The Society was disbanded, and the prize was discontinued.</span>]]></content:encoded></item><item><title>&#x5b;REDACTED&#x5d;</title><dc:subject>Home</dc:subject><dc:date>2009-03-04T16:11:05-08:00</dc:date><link>http://eotvoswheel.com/files/a0b2cd7cc7b0cf95e3917b5b10b6d95a-2.html#unique-entry-id-2</link><guid isPermaLink="true">http://eotvoswheel.com/files/a0b2cd7cc7b0cf95e3917b5b10b6d95a-2.html#unique-entry-id-2</guid><content:encoded><![CDATA[[POST REDACTED DUE TO CEASE AND DESIST LETTERS]<br /><br />]]></content:encoded></item><item><title>Photos</title><category>Straka</category><dc:date>2008-11-13T16:02:19-08:00</dc:date><link>http://eotvoswheel.com/files/8636ef483e0ee6ace30491c869ae202c-1.html#unique-entry-id-1</link><guid isPermaLink="true">http://eotvoswheel.com/files/8636ef483e0ee6ace30491c869ae202c-1.html#unique-entry-id-1</guid><content:encoded><![CDATA[<a href="http://eotvoswheel.com/resources/Room-crime-scene-01-square.jpeg" rel="external"><img class="imageStyle" alt="Room-crime scene-2.5x3.5" src="http://eotvoswheel.com/files/room-crime-scene-2.5x3.5.jpeg" width="252" height="180" /></a><a href="http://eotvoswheel.com/resources/Table-crime-scene-01-square.jpeg" rel="external"><img class="imageStyle" alt="Table-Ashtray-2.5x3.5" src="http://eotvoswheel.com/files/table-ashtray-2.5x3.5.jpeg" width="252" height="180" /></a><a href="http://eotvoswheel.com/resources/Table-crime-scene-02-square.jpeg" rel="external"><img class="imageStyle" alt="Table-crime scene-2.5x3.5" src="http://eotvoswheel.com/files/table-crime-scene-2.5x3.5.jpeg" width="252" height="180" /></a><a href="http://eotvoswheel.com/resources/Telephone-crime-scene-01-square.jpeg" rel="external"><img class="imageStyle" alt="Telephone-crime scene-01-2.5x3.5" src="http://eotvoswheel.com/files/telephone-crime-scene-01-2.5x3.5.jpeg" width="252" height="180" /></a>]]></content:encoded></item><item><title>An Alphabetical List of Straka Candidates</title><category>Straka</category><dc:date>2009-09-28T15:32:01-07:00</dc:date><link>http://eotvoswheel.com/files/straka-candidates.html#unique-entry-id-0</link><guid isPermaLink="true">http://eotvoswheel.com/files/straka-candidates.html#unique-entry-id-0</guid><content:encoded><![CDATA[<span style="font:36px Georgia, serif; ">WHO</span><span style="font:14px Georgia, serif; "> was V. M. Straka? I&rsquo;ve been acutely interested in this question since I purchased a four-volume set of reissued novels from Straka&rsquo;s middle period (The Spotted Cat, The Black Nineteen, Washington & Greene, and Hanging the Dead) for two dollars at a garage sale in Ballard in the fall of 2008. While I majored in English at Gonzaga (longer ago than I&rsquo;d like to admit), I don&rsquo;t claim to be an expert. These are simply my notes about the lives of some of the major Straka candidates, along with my assessments about the likelihood of each one being the true identity of the mysterious Straka. <br /><br />Please note that this site is a work in progress and that a complete list of every candidate ever proposed would take years to assemble (especially if you have two kids, a mortgage, and only three weeks of paid vacation a year). I&rsquo;ve begun with the candidates I think are most plausible and/or most interesting. If you check back here every few weeks, you&rsquo;ll usually find some new material to read. I welcome all comments, so please feel free to email me at TheLitigationMonkey@gmail.com. At some point in the future, I plan to sort through all of the feedback I get (and any new developments in the field) and assemble a summary of contemporary opinions about the Straka controversy.<br /> <br />I strive for accuracy in all my work, so if you notice any errors, please let me know so I may make corrections. Also, I apologize if some of the language is too faux-academic; I&rsquo;ve found it enjoyable to write in a professorial tone&mdash;so much so that I find myself wondering if I chose the wrong career entirely. That, however, is a discussion better suited to my blog, The Litigation Monkey, which I invite you to visit if you&rsquo;re interested...</span>]]></content:encoded></item></channel>
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